Brothers Thomas and Sam have nothing in common, except that they play Dungeons & Dragons with their friends. Each week they escape into a fantasy world. Over four years, the group grow up and move on but Thomas, the Dungeon Master, refuses to let go.
Grieving the loss of his husband, a reclusive composer is thrust into an unlikely new family - a tough nurse, her sharp 10-year-old daughter, and the autistic gardener who saved him - forcing him to rediscover life through unexpected bonds.
In Japan, a culture shaped by restraint and social uniformity, skateboarding has long existed at the margins - regulated, discouraged, and only now tentatively embraced. SKATE IN JAPAN observes this contested space with quiet precision, tracing a community that finds freedom through movement, expression, and play.
Moving between street spots, domestic interiors and the shifting landscapes of Kyoto, the film approaches skateboarding as both a personal and collective language. In the fluid, almost choreographic movement of skater Issei Morinaka, it reveals an expression that resists containment, fleeting, yet deeply felt.
At its centre are individuals whose lives have unfolded at the edges of visibility. Homoro, a skate shop-owner whose own practice has been altered by injury, supports a younger generation of Boardwalk skaters. Alongside him is Caba, a once-renowned figure whose life was transformed by disability, and Hide, who leads efforts to realise a long-awaited public skatepark.
As the skatepark takes shape in Kyoto, it marks a subtle cultural negotiation between tradition and change. Accompanied by an original score, the film unfolds as a quiet meditation on time, belonging and the persistence of identity.
The inspirational true story of Evelyn Glennie, who experienced profound hearing loss as a child and went on to become a world-famous, multi Grammy-award winning musician. A vibrant, exhilarating story of how the world fell in love with a woman who broke all the rules.
Glennie became a global star, performing with artists including Bjork, Underworld and Mark Knopfler. She has also released more than 40 albums and performed over 2,500 concerts worldwide.
A film that hovers above the make-believe world of hope. Eden Kotting, dressed as Dorothy from The Wizard of Oz takes us on a journey from The Factory to The Silent Valley. Accompanied by a gaggle of folkloricists and workers in white coats the journey ends in The Toilet of Hope.
Fifteen-year-old Jamie lives with his peace activist mum in an army town in England, where they suffer prejudice due to their anti-war beliefs and activism.
THE LETTER follows the struggle of deaf people who fought back against Nazis’ oppression during World War Two. It tells the story of a deaf regiment of stormtroopers, and charts the rise of the Nazi-ruled social org for deaf people (Reich Union of the Deaf of Germany).
The story is based on true events with fictionalised characters. "Deaf people like the ones in ‘The Letter’ were really at the forefront of the Nazi euthanasia machine, Nazis were so ruthlessly efficient at exterminating deaf and disabled people that a lot of stories were lost.” Justin Edgar
THE LETTER was produced by Justin Edgar, who is hard of hearing, and directed by Sam Dore, with an entire cast and crew of deaf artists.
A young autistic boy who changes the world's perception of autism with his dancing. He is on a hard journey of self acceptance, however in the end there is no stopping him fulfilling his dreams.
THE ROAD OF EXCESS is a film about mental health, addiction, toxic masculinity, and the loss of fame through the eyes of ex-Dirty Sanchez star Matt Pritchard. Dirty Sanchez was a Welsh “Jackass” that was one of MTV Europe’s most popular shows in the early ’00s. After its end, Matt fell into darker times. Through the stories shared with his co-stars, his mother and his best friend, we learn about the fallout they suffered. From mental health issues such as depression to substance addiction and then more physical conditions. Dealing with these demons Matt exchanged one addiction for another, endurance sports. Each time the challenge has to be bigger and at the end of 2020 he decides to join a team to row across the Atlantic. THE ROAD OF EXCESS parallels Matt’s rise and fall with the arc of this row. Will fifty days at sea, rowing two hours on and two hours off help him find peace? He doesn't know why but since signing up it is all he dreams of. What will this latest expedition teach him? Will he find balance? Or has losing himself meant his journey will never end?
