A comedy horror musical...
When a cursed amulet turns their rival boy band act into a screeching gang of zombies, a group of cheerleaders must learn to use their wits, friendship and assorted power tools to overcome their fears before a TV talent show takes a turn for the apocalyptic.
Overly curious Mary visits her boyfriend's flat for the first time, just to discover it’s been stripped bare of all personal belongings. After being denied an explanation, she climbs into his head.
When a mysterious new router arrives, Tom thinks it's the end of his wifi woes. But the mysterious device has even more mysterious powers - his problems have only just begun...
An inclusive film developed with eight learning disabled and/or autistic actors
Circumstances have led to them requiring his services again, the man with the skills to remove any lingering doubts and give them the confidence to go through with it, but afterwards, will that be enough, have their actions been justified?
Recent polls indicate politician and Nobel Peace Prize nominee Barghouti could be elected the next Palestinian president, meaning Israel would be holding a country's leader behind bars. Following what was seen by many as an unlawful arrest and imprisonment, Barghouti has spent his time reading, lobbying and continuing the fight for freedom and peace for his country. A unifying, charismatic character, it’s understandable why his popularity is seen as a threat. Through the eyes of his dedicated wife Fadwa and their family, alongside notable activists and leaders, MARWAN - TOMORROW'S FREEDOM captures the spirit of an indefatigable campaigner for justice and the will of a people fighting for their freedom.
Official Selection Sheffield DocFest 2022 - Rebellions - World premiere
A supernova in the world of tennis, as awe-inspiring as he could be explosive, John McEnroe’s combined 155 championship titles still ranks as the highest achievement in the Men’s Open era. But as Barney Douglas’s film shows, this is just one facet of the sport legend’s storied life. MCENROE features previously unseen footage, both from his games and his personal archive. It explores the demons that drove him, while colleagues and friends such as Billie Jean King, Bjorn Borg and Keith Richards, along with McEnroe’s wife Patty Smyth and their children, offer an intimate portrait of a singular, incendiary individual.
Official Selection Tribeca Film Festival 2022 - World premiere
Official Selection Sheffield DocFest 2022 - People & Communities - International premiere
We follow Sam Batley a poet/photographer who admitted himself into an abstinence based recovery centre in Liverpool, where he wrote a poem about his young-adulthood of addiction. With the help of the other former addicts at the centre he turns this poem into a short film; throughout the making of this film and the practices of the centre we explore the importance of self-expression, connection and the power of art to heal.
We move through each resident at the house and learn how being introduced to art, sport & culture has given them a sense of purpose and connection. Wayne, at 60's taken up acting after appearing in the film. Darren, in and out of prison, now manages a mental health football team. Zoe runs a fitness and meditation centre for women.
In an impassioned speech at the premiere of the short film we learn what recovery means to Sam, “It brings hope, life and joy, not just for me but for my family too’. We then delve into the spoken-word experimental short film about Sam’s addiction, this brings clarity to the importance of the centre and the connection it brings to its residents, one day at a time.
An experimental animated documentary that explores the youth knife crime epidemic in London. Combining a variety of perspectives from those that have been connected to the issue, the film questions the criminal justice system, climate change and capitalism, all of which point to youth knife crime as a symptom of a wider societal problem.
Simmy, a modern Punjabi bride has had an arranged marriage. When her new husband, Raj does a runner after the ceremony, Simmy has no choice but to preserve family honour and start a life without her husband in bleak Britain.
As Simmy tries to understand this new world, Harry, Raj’s wayward younger brother turns up from prison for home detention. Harry, condescending towards his new sister-in-law refuses to play by the rules. Both are imprisoned in the old house with Simmy having difficulty speaking English and Harry refusing to speak Punjabi.
Despite her efforts, nothing seems to unite this dysfunctional family, so Simmy unhappily writes a letter home. When Simmy’s distant relatives turnup, Simmy makes a bargain with her mother-in-law: in return for keeping up appearances, Simmy’s passport is returned and she starts nursing training.
An innocent love story unfolds crossing the boundaries of culture and language. As the search for Raj intensifies, Harry breaks curfew and takes Simmy on a romantic trip. Just as Harry finds the courage to tell Simmy how he feels, Raj returns to uphold his wedding vows. Must Simmy be the forgiving Indian wife that her community expects her to be and accept him?
Will, a frustrated animator, records a message to his mother. He explains “confessionally” that the film he was trying to make with his collaborator, Ainslie Henderson, failed. It was a film that they were making about her, after she contracted mouth cancer 5 years ago.
He explains the purpose of him talking to her now, in a candid way about it, might just be the final closure his Mum and family need. Why did he invent an imaginary cat called DOM who exists only on his computer and begins to get in the way? Needing to move on, the film they shot and animated will now explain what they were trying to do.
The film plays out from Will’s perspective today, a composition of thoughts, images and scenes - reflecting and editing together a letter to his mother. A self-reflective and self-referential film that blurs the lines between fiction and nonfiction. This video message or ‘letter’ to her is a device that guides the film’s narrative. As if being ‘live edited’ the film has a playful urgency, enabling the viewer to authentically experience the journey with Will and the other characters.
An emotive, intimate film portrait of the life and death of Northern Irish journalist Lyra McKee, who was murdered by dissident Republicans the day before Good Friday, April 2019. Directed by her close friend, documentarian Alison Millar, the film seeks answers to her senseless killing through Lyra’s own work and words. In just 29 years, she rose from working-class roots in the epicentre of war torn Belfast to become an internationally renowned investigative journalist, seeking justice for crimes that had been forgotten amid the euphoria surrounding the 1998 Good Friday Peace agreement. As the voice of her ceasefire generation, Lyra represented hope for a future free of conflict. Her death is another tragic milestone for a country trying to shake off the shackles of its violent past.
Official Selection Sheffield DocFest 2022 - Rebellions - UK premiere
