Projects with status: Complete

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A 16mm sound and image experimental portrait of d/Deaf DJ Simon Eilbeck and the Queer, Trans, alternative and non-binary communities who gather at his monthly disco Hot Mess.

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Following electronics teacher and father Cam Cameron as he attempts to survive 60 days on Rockall, the UK’s most remote and dangerous island. Driven by a need to reconnect with his family, Cam’s quest is a test of endurance and a deeply personal challenge. Having already lost his father and two brothers, Cam is his mother’s only surviving son - a burden that weighs on him as he prepares to break the world record. Only five people in history have spent more than one night on Rockall - a statistic lower than those who’ve been to the moon. Facing brutal conditions and isolation, Cam’s journey raises questions: What drives a man to risk his life? And what toll does it take on those who love him? The documentary explores the true meaning of adventure and the sacrifices made in the pursuit of legacy, keeping viewers on edge of their seats.

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The Green Lady of Caerphilly Castle - a story of love, betrayal and the afterlife.

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"The Sight is a Wound" confronts the impossibility of image-making in the face of genocide. Through the burning of over 50 paintings, the film interrogates the ethical failure of aesthetics, where witnessing collapses into complicity. It is an act of refusal—excavating absence, exhaustion, and the limits of representation.

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In a woodland glade, an exhausted mythical creature is suffering from insomnia. When a small, verbose forest sprite appears and offers a sedative, it sounds like a perfect solution, but the fatigued Wickywock is too impatient to heed the Sprite’s terms.

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Haunted by rising sea levels, a daughter digs up her father’s grave to move his body to higher ground.

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Centred on sphagnum moss, TRANSLOCATIONS highlights the mutual aid and reciprocal exchange that exists between species in the restoration of a lowland peatbog. Featuring the voice of botanist and author Robin Wall Kimmerer, and a tactile soundtrack score, the film documents the human and more-than-human life, energies and actions that are transforming an intensively farmed and damaged terrestrial environment back into a flourishing wetland habitat. The film is structured around volunteers moving ('translocating') gathered balls of sphagnum moss from replete to deplete areas of the bog, enabling a keystone species in peat formation and carbon sequestration to thrive and rejuvenate a vital part of the biosphere. Exploring the luminous and vivid characteristics of this rewilded, transitional terrain, the film depicts the abundance of re-introduced sphagnum moss and the dynamic mosaic of co-dependent species that are now thriving both above and below the surface of the bog, from flowering cotton grasses and carnivorous sundews to dragonflies and silk-moths.

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On Yom Kippur, Alex struggles to atone for their sins when they imagine themself in the men’s section at synagogue and feel a magnetic attraction to Jess in the women’s section. Afterwards, the two butt heads at a Break Fast event and Jess invites Alex to a queer Jewish club event. But would that raucous space provide freedom or disorientation? Official Selection BFI London Film Festival 2025

Synopsis

Salma is a young, privileged, and rebellious Saudi girl whose family hires a Sudanese man named Gamar to drive her to and from her day-to-day activities. Initially adhering to a simple employer/employee dynamic, Salma and Gamar’s relationship quickly evolves into an intimate personal friendship that bonds them through her teenage years and beyond, but their friendship is put to the test when Salma gets older and starts taking the wheel. Official Selection Red Sea International Film Festival 2024 - World premiere

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Local boy, Peter, is trying to find the source of the metallic sound that haunts the village. When he shares his footage with an old woman it sparks memories of a bear that roamed the hills during her childhood. Official Selection Clermont-Ferrand International Short Film Festival 2025

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A single mother is forced to confront her dark past, while raising her young autistic son. Shot and set in Glasgow during the pandemic, the director herself and her son play the lead roles. Official Selection Carmarthen Bay Film Festival 2025 - Winner - Best Feature Film

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A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. ​The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025