A technographic study of e-recycling and neo-colonial mining filmed in the Agbogbloshie ewaste ground in Accra, Ghana. The video constructs a critique of the capitalist myth of the immateriality of new technology - thus revealing the mineral weight with which the Cloud is grounded to its earthly origins.
A retelling of Edward Lear's classic poem 'The Owl and the Pussycat'. Join Frank and Ella in an intimate interview as they share candid details of how they met and where they are now.
BlkBx.mov explores and expands upon the technological notion of black boxing, identifying it as a contemporary dispositif across technology, science, religion, ideology and pop culture.
The film explores the notion of space, how we might go about describing and measuring it on a human scale. A light lament to the pseudo domestic furniture showroom, it's also about how we interact with our homes and each other. An observation of the public at home in public.
An old Jewish baker’s failing business gets an unexpected boost when his young Muslim apprentice, also a part time cannabis dealer, accidentally drops a load of dope in the dough, and the customers suddenly can’t get enough of his bread.
Rose Daily has been critically injured and hospitalised after a near-fatal accident. One night, Rose awakes to be confronted by a ‘mysterious’ patient who testifies to how and why Rose ended up in such an awful predicament. Leaving Rose puzzled and eager to solve this mystery.
Mal Walker, a reclusive, disillusioned Army veteran, is prompted into action when his only mate mysteriously disappears on a down-at-heel council estate. But as he journeys on his urban quest - encountering a succession of the estate's oddball characters - Mal begins to learn it is not just his friend he's looking for. It is his own humanity.
Edinburgh International Film Festival 2014 - World premiere
We are all born as wet as a banana. 75% water. By the time we reach adulthood that amount goes down to 54%. Gus bumps into Tiny Eyes at dusk, on the eve of his 25th birthday.
Inspired by the writing of Jean Genet and made in collaboration with members of the lesbian, gay, bisexual and trans community in Plymouth, whose personal narratives of longing and loss are told through a series of encounters in the liminal, waterfront spaces of the city's border with the sea.
