Projects in genres: LGBTQIA+

Synopsis

Oh Odessa! is loosely based on Sergei Eisenstein's revolutionary film 'The Battleship Potemkin'. Made on a shoestring, with a cast of five, it consists of a series of black and white stills with classic intertitles telling the story of how a group of sailor girls liberate their battleship.

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A disturbing portrait of a young woman pushing against the boundaries of love and lust. Billy's passionate relationship with her friend Maria ignites her father's forbidden desire.   Winner of Best New Director at 2004 Brooklyn International Film Festival.

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Nina, a London professional girl, comes to terms with the theory of 'falling' when she meets Sheena, another girl who seems to have so much in common with her. Friendships, relationships, lesbianism, lust and psychic trickery in London.

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Baby: documenting the sensual overload of a visit to the local swimming pool viewed through the eyes of a sexually-charged teenager.

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CJ has created a fake reality in his head where he is in love with the most popular jock in school, Freddie. As suddenly as the pair have fallen in love CJ is dragged into his depressing reality, he gets bullied for his sexuality and Freddie doesn’t even know he exists. Living in his fantasy, CJ is missing out on the reality of the high school experience, he only has one friend and spends his free time watching 90s teen romcoms. With the unwanted help of his best friend, Jen, CJ is forced to come to terms with his sexuality and accept that reality can be better than living in a fantasy.

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An urban tale of a one-night stand that goes horribly, hilariously wrong. Belinda, a politician with a taste for danger, meets Jenna, an adventurous free spirit.

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Adam's camp; Steve's camp. Dinner sets things straight, naturally.

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The film sets out to explore fear and prejudice and whether we make choices through conditioning and/or upbringing.

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Lay of the Land is a dark and emotionally chilling take on male sexuality and prejudice. It is played out through a charged encounter in an intimate smoky gay bar between John, a drag queen who happens to be straight, and Skif, who admits to being involved in 'gay-bashing'.

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During the time of apartheid Nelson Mandela drove around South Africa in a limousine disguised as a chauffeur while organizing the armed struggle against the apartheid regime. But who was the distinguished looking white man sitting in the back seat? Meet Cecil Williams, an acclaimed gay white theatre director and communist. Official Selection Berlinale 2019 - Panorama 40

Synopsis

Get Real is the story of Steven Carter, an ordinary teenager from Basingstoke, Middle England, and his friends. Like most teenagers, they're desperate to fall in love: Steven's neighbour Linda with her driving instructor, his school friend Mark with Wendy, Wendy with Head Boy and all round dreamboat John, John's mate Kevin with Wendy's friend Jessica. But like most teenagers, they are pretty hopeless at it. Steven is in love too, but he knows it is impossible. It's just a dream. It'll never be real. Except it is. But there's a catch: Steven's lover won't acknowledge him in public. Get Real is the comic tale of what happens when the dream becomes an unexpected reality, and forces Steven to choose between being himself and being in love.

Synopsis

It is 1971 and Francis Bacon is in Paris on the occasion of the triumphant retrospective at the Grand Palais that is to confirm his status as one of the twentieth century's most important artists. At the same time that he is being acclaimed by officials and the press, George Dyer, his model and lover of seven years is in a nearby hotel room swallowing the last of the lethal cocktail of drugs and alcohol that will prove to be his final act in this world. As Dyer disappears into blackness he falls back in time to the moment in 1964 when, in attempting to burgle Bacon's studio, he first encountered the painter who was to absorb him into his life and work. This tragic love story is set among the bohemian demi-monde of London's Soho where Francis Bacon was a charismatic figure at the centre of a coterie of characters who frequented the infamous Colony Rooms. These include Muriel Belcher, who ran the club, Isabel Rawsthorne, Henrietta Moraes, photographer John Deakin and writer Daniel Farson. Love Is The Devil traces the development of Francis Bacon and George Dyer's ill-fated relationship and, in a series of extraordinary visual sequences, constructs a portrait of an artist that dramatically reveals the needs and desires that motivated his art.