The sequel to one of the most intense, unpredictable and thrilling horror films of the decade, The Descent: Part 2 picks up immediately after the events depicted in The Descent.
Sarah, emerges alone from a cave system following an expedition with her five friends in the Appalachian mountains. Distraught, injured and covered in the blood of her missing companions, Sarah is incoherent and half-wild with fear. Sceptical about her account of events and convinced Sarah's psychosis hides far darker secrets, Sheriff Vaines forces her back into the caves to help locate the rest of the group.
Trapped by falling rocks, the rescue party are driven deep into the caverns, and as one by one the fate of the missing girls is revealed, Sarah is forced to confront her deepest fears.
When Matthew hears chilling voices on the videotape of a news conference about his brother's disappearance, he begins to question his sanity. Ignored by his troubled father, Matthew visits a clairvoyant who reveals a history of missing children in the area. When a friend's sister is also abducted, Matthew's dead brother guides him to an underground labyrinth and a terrifying confrontation with the killer.
Like Princess Diana, her direct descendent, Georgiana Duchess of Devonshire was beautiful, glamorous and adored by the public. But while her beauty and charisma made her a household name, one thing always seemed to escape her: love.
Beneath Georgiana's glamorous façade lay an intelligent, vulnerable woman stranded in a loveless marriage to the Duke, one of the richest men in England. Frustrated by the limitations imposed on her by virtue of her sex and her class, she rebelled, entering into an intense
relationship with the beautiful Lady Foster, thereby setting up a complex ménage a trois with the Duke. Georgiana's rebellion extended to the
public sphere where she tore down the conventions, becoming a
political campaigner for the liberal party. In so doing she fell for Earl Grey, the future Prime Minister, finally discovering the meaning of true love. But could true love survive the strictures of the Duke, of Bess and of Society - the pressures of marriage and motherhood, of friendship and loyalty, of class and celebrity?
What followed was tragic, but Georgiana's unquenchable spirit sustained her and, unlike Diana, she ultimately found peace.
Adam is determined to find evidence of the existence of big cats that have been reported over the years in remote areas of South West Scotland. He convinces his best friend Mark to go with him and after an overnight stay at a country commune, they are joined by two girls, Marina and Summer, with the commune leader Phil agreeing to act as their guide.
As they set off across Dungeon Moor, there is talk of a Polish girl who recently disappeared and a scientist working on a secret project in an isolated farmhouse.
It becomes clear that Phil is leading them on a journey where their lives are endangered by something more than roaming big cats. Their rural adventure soon turns into a nightmare.
Unless we change our ways, there will be no fish left in the world's oceans by the middle of the century. This lavishly shot feature length documentary tells the disturbing story of how this has happened, who is to blame and what can be done about it. Filmed all over the world - on land and under the sea - the film features the communities on the receiving end of this eco-catastrophe, the pioneering scientists who have discovered it and the politicians - active and inactive - who lay down the laws for the oceans. Based on the book of the same name by Charles Clover, this is the Inconvenient Truth about the world's oceans - and the food which they prodiuce, on which millions rely for their existence.
Previously unseen footage of Blind Faith’s famous first performance at a free concert in Hyde Park in 1969 incorporating footage of the director Anthony Stern and his friends in the park that day. The sense of the film is as a poignant reflection on the ‘end of an era’, the drawing to a close of the ‘golden idealism’ of the 1960’s.
Two shadowy figures meet on a shadowy evening in a shadowy car park. There is an illicit deal to be struck but even the most carefully orchestrated plans can come undone at the seams!
Amnesiac Matt Sadler awakes alone in the middle of a wilderness with no recollection of the past seven days.
Again.
He finds his way home to discover a life rapidly falling apart: his wife is convinced he’s hiding an affair, the police are suspicious of his repeated disappearances and now he is plagued by terrifying nightmares when he closes his eyes.
As disturbing slithers of memory gradually return to Matt he retraces his steps to uncover his missing actions during the blackouts.
Matt’s search leads him out of the city and in to the wild hills and harvesting fields of the countryside, to a remote farm owned by loner Calham. The cold farmer is suspicious of Matt but instantly sparks a dark sense of Déjà vu in his visitor.
But Calham turns on Matt, imprisoning and interrogating him, before forcing him on a terrible journey of abduction and slaughter to show the amnesiac the twisted games they used to play together.
As Matt’s fogged memory slowly begins to clear and he learns the two men share a violent history, the horrors of their past come skipping out of the darkness to greet them.
The Five Murders of John Dawley is a compelling story that delves into the sinister history, revenge, secrets and lies that surround the Dawley family.
John Dawley is dead.
The brutal patriarch of a notorious family is found shot dead by his five sons, during a supposed family reunion. Each son has a motive and a gun and soon they have set up their own kangaroo court to try and eke out the murderer. But, as secrets and bloodlust take over the brothers, a night of violent recrimination and bitterness ensues.
Connected by fate, amnesiac John Logan and the doomed driver of a hi-jacked vehicle find their lives inextricably linked. The Girl The Gun and The Desert is a journey through Logan's nightmare world of seedy night clubs and faceless shadows as he unravels the mystery of a beautiful girl and his own identity
Based on the teenaged journals and drawings of Sylvia Plath, this collaged fantasy describes an evening in the life of a teenage girl in 1949. The music and images are all inspired by the words, images and musical experience of Plath at 17 years old. It was commissioned as an artists' interpretative collaboration for the Sylvia Plath 75th Year Symposium, Oxford University and University of Indiana October 2007.
