Projects in genres: Northern Irish

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A group of people, who suffer from a range of mental illnesses, gather together, to work together so that they can heal together.

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As the best man, Ed, doesn't realise that his speech will be the most important that he will ever make.

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An ex-RUC Special Branch Detective serves the remainder of his career in an English coastal town hoping to heal wounds from a violent past, until the murder of his only daughter shatters his faith and sends him on a headlong hunt for the killer.

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A middle-aged Irish farmer, who still lives at home with his mother, sets off on a mission of revenge when the old lady is murdered. Official Selection Sundance Film Festival 2017 - Midnight - World premiere

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Inspired by a heart-breaking true story, 'The Climb' quietly explores the concept of feeling connected to someone you have lost by immersing yourself in something they love. The painful act of remembering by doing.

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A dramatization of the events preceding the historic 2006 St. Andrews Agreement, which brought peace to Northern Ireland after years of violent strife between Unionist and Republican factions. The extraordinary story of two implacable enemies in Northern Ireland — firebrand Democratic Unionist Party leader Ian Paisley and Sinn Fein politician Martin McGuinness — who are forced to take a short journey together in which they will take the biggest leap of faith and change the course of modern history. It is at this moment the two sworn enemies put their past actions behind them and begin to forge an unexpected friendship that would lead to them being known as “The Chuckle Brothers.” Official Selection Toronto International Film Festival 2016 - Special Presentations

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'She knew he would find her. Many had told her, that one day he would come.' An experimental short with elements of fine art.

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Documenting the life of Michael Pike, a veteran of the British army who struggled with post traumatic stress disorder as a result of his experiences in Northern Ireland.

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By the early 1980s, after two decades of violence and unrest, the situation in Northern Ireland took a sudden and profound turn inside the infamous Maze Prison. Seeking the right to be treated as political prisoners rather than common criminals, Irish Republicans led by Bobby Sands began a prison hunger strike that would draw international attention to the conflict. In the 66 days that he refused food, Sands would be elected to the British Parliament, put the Irish Republican struggle centre stage on the world news agenda, and pay the ultimate price for his political convictions. The film combines a powerful mosaic of archival materials, reconstructions and the illuminating accounts of former prisoners, commentators and key players in the drama. With Sands' evocative prison diary at its core, the film brings fresh insight to an iconic figure who single-handedly created a transformative moment in Ireland's history that had global aftershocks. (Hot Docs brochure) Hot Docs 2016 - World premiere

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Some things can only be understood with maturity. New light is shed on childhood cultural misunderstandings when a Chinese mother and her British-born daughter speak as adults for the first time. Official Selection Sundance Film Festival 2017 - International Documentary Short Film Selection

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The newly appointed Truth Commissioner to Northern Ireland uncovers some bloody and inconvenient truths about those now running the country; truths which no one wants revealed.

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A moving documentary that explores contemporary Northern Ireland, through the lives of four men living in the aftermath of violent conflict; a story about reimagined identity of place and the fragility of masculinity. Contextualised by the country's past the film is firmly rooted in Northern Ireland today, as a population struggles to come to terms with the horrors and the sacrifices of its past and the men turn to face a future defined by their hopes, rather than regret. Filmed over a year with the men in and around their homes, the filmmakers focussed on the stories that took place long after the news cameras had left the story that was Northern Ireland. Thirty years of violence came to an end in a 1998 peace deal, and the door on almost relentless media interest also closed. But the lives of those affected indirectly or otherwise by the so-called ‘Troubles’ continued… In a society where masculinity has long been measured in violence and aggression, what happens to the identities of men when the Troubles end and the roles previously held are no longer accepted or needed?