Created in collaboration with local children in one of the most environmentally fragile areas of the UK, this experimental documentary repurposes the tropes of Hollywood monster movies to explore young people’s real feelings and fears through an imaginary framework. This fantasy apocalypse becomes a safe space for the children to reflect on adaptation, resilience and an uncertain future.
AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain.
The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.
A moving image artwork exploring zones of momentary overlap between seemingly opposing elements.
The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands.
The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface.
*From Deborah Levitt’s ‘The Animatic Apparatus’.
Official Selection BFI London Film Festival 2025
A woman at the end of her life wanders lost in the woods where her memories find her. Seamlessly blending historical archive footage with dramatizations, the narrative explores how nature connects us to our past.
An unpleasant return to Das Institut für den reinen Tor, Menschheim, Germany, for a forgetful investigation into memory.
Restarring: Dr Forschung (incarcerated); Prof Suchen (in pseudonym); Fernando Pessoa (in 5 personas);
James Joyce (in multi-Finnegans).
"I have more than just one soul.
There are more I's than I myself.
I exist, nevertheless"
Alberto Caeiro
"I'm not who I have in memory
Nor who is in me now."
Fernando Pessoa
STREETS OF CHANGE VR is a powerful virtual reality experience that brings to light the often-overlooked realities of street homelessness, challenging the stigma and stereotypes through storytelling.
Rooted in real lived experiences, the film humanises rough sleepers through three intimate character stories, revealing their resilience and the harsh truths of life on the streets. Through hyper-realism, spoken word poetry, and immersive storytelling, STREETS OF CHANGE VR explores a narrative of poverty, addiction, and mental health with honesty and emotional depth.
By placing viewers in the shoes of those experiencing homelessness, STREETS OF CHANGE VR aims to foster empathy, break down prejudice, and invites urgent conversations about inequality.
STREETS OF CHANGE VR is a call to action amid a growing global homelessness crisis.
A group of facilitators, apprentices, volunteers, people living with dementia, and their supporters gather in a community hall. Together, they re-enact a wedding, discovering how the past can affect the present.
A group of friends embarks on a journey through landscapes to meet a poet imprisoned for his work. Their adventure blurs the lines between reality and fantasy, challenging their views on freedom and creativity. Along the way, they discover the impact of art and the power of friendship, learning that the journey itself is as meaningful as the destination.
Das Institut für den reinen Tor, Menschheim, Germany, takes you “searching, exploring, constructing, deconstructing, reconstructing, post-construction, under-construction, over-destruction, counting, measuring etc.” - with Dr Forschung (dismissed); Prof Suchen (in pseudonym); Fernando Pessoa (in 5 personas); James Joyce (in his multi-Finnegans) .
"It was life but was it fair?
It was free but was it art?"
James Joyce
"Because I am the size of what I see
And not the size of my height... "
Alberto Caeiro
"I am nothing.
Never shall be anything.
Cannot want to be anything.
This apart, I have in me all the dreams of the world."
Álvaro de Campos
