A moving image artwork exploring zones of momentary overlap between seemingly opposing elements.
The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands.
The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface.
*From Deborah Levitt’s ‘The Animatic Apparatus’.
Official Selection BFI London Film Festival 2025
Olly sifts through his memories searching to understand why he is the way he is. The narrative swings between two contrasting worlds: his memories of his first years, captured by his childhood drawings, and surreal underwater live-action scenes representing his dreams.
We witness fragmented memories of a torn family - an abusive father, a mother whose memory seems faded, and a sister, Sally, encouraging her little brother to escape through imagination and dreams. As memory and fantasy blur, The Time Before becomes a meditation on the stories we tell ourselves to survive, and what is lost in the telling.
Official Selection Aesthetica Film Festival 2024
A woman at the end of her life wanders lost in the woods where her memories find her. Seamlessly blending historical archive footage with dramatizations, the narrative explores how nature connects us to our past.
A film of myth, mask, and folklore inspired by the Carboniferous, imbued with folksong, and forged by the blacksmith, WAYS OF THE PLANT interweaves art and nature through hand-processed 16mm film and multidisciplinary artist practice that explores humanity's deep connection to ancient woods and the journey of coal.
Hart of the Wood 'Ways of the Plant', is a bold multidisciplinary art and film project, led by artist and filmmaker Benjamin Wigley, which celebrates humanity's ingrained relationship with the woods that spans deep time; carbon, the Carboniferous and the journey of coal. Working collaboratively with the Hart of the Wood artist collective, Ben responded to the Lapworth’s extensive Carboniferous fossil collection to create a new multi-modal film and art exhibition at the Lapworth Museum of Geology; on display throughout 2023
An unpleasant return to Das Institut für den reinen Tor, Menschheim, Germany, for a forgetful investigation into memory.
Restarring: Dr Forschung (incarcerated); Prof Suchen (in pseudonym); Fernando Pessoa (in 5 personas);
James Joyce (in multi-Finnegans).
"I have more than just one soul.
There are more I's than I myself.
I exist, nevertheless"
Alberto Caeiro
"I'm not who I have in memory
Nor who is in me now."
Fernando Pessoa
STREETS OF CHANGE VR is a powerful virtual reality experience that brings to light the often-overlooked realities of street homelessness, challenging the stigma and stereotypes through storytelling.
Rooted in real lived experiences, the film humanises rough sleepers through three intimate character stories, revealing their resilience and the harsh truths of life on the streets. Through hyper-realism, spoken word poetry, and immersive storytelling, STREETS OF CHANGE VR explores a narrative of poverty, addiction, and mental health with honesty and emotional depth.
By placing viewers in the shoes of those experiencing homelessness, STREETS OF CHANGE VR aims to foster empathy, break down prejudice, and invites urgent conversations about inequality.
STREETS OF CHANGE VR is a call to action amid a growing global homelessness crisis.
A group of facilitators, apprentices, volunteers, people living with dementia, and their supporters gather in a community hall. Together, they re-enact a wedding, discovering how the past can affect the present.
A group of friends embarks on a journey through landscapes to meet a poet imprisoned for his work. Their adventure blurs the lines between reality and fantasy, challenging their views on freedom and creativity. Along the way, they discover the impact of art and the power of friendship, learning that the journey itself is as meaningful as the destination.
Das Institut für den reinen Tor, Menschheim, Germany, takes you “searching, exploring, constructing, deconstructing, reconstructing, post-construction, under-construction, over-destruction, counting, measuring etc.” - with Dr Forschung (dismissed); Prof Suchen (in pseudonym); Fernando Pessoa (in 5 personas); James Joyce (in his multi-Finnegans) .
"It was life but was it fair?
It was free but was it art?"
James Joyce
"Because I am the size of what I see
And not the size of my height... "
Alberto Caeiro
"I am nothing.
Never shall be anything.
Cannot want to be anything.
This apart, I have in me all the dreams of the world."
Álvaro de Campos
