Exploring the filmmaker Rime Tsujino's evolving relationship with their dog Miso, a one-year-old German Shepherd. Tsujino attempts to understand why, despite raising the dog, Miso seems to prefer Tsujino's partner.
Blending observational and verité footage with personal narration, this tender story of unrequited love takes the filmmaker on an intimate journey through the complexities of caregiving and cross-species bonds, contending with the influence of intergenerational parenting styles on the human-dog relationship and how dogs express their agency, ultimately asking whether it is possible to love truly without conditions.
Official Selection Visions du Reel 2026 - World premiere
In isolation on Iceland’s Snæfellsnes Peninsula, Nigerian-born modular synthesis artist Colloboh transforms glacial and oceanic recordings into sonic compositions - uncovering a dialogue between ice and sea that reshapes his understanding of consciousness, ecological collapse, and humanity’s place within both.
As his process unfolds, Colloboh transforms these sounds into layered sonic works that blur the boundaries between observation and communion. The film culminates in a haunting gesture: he plays the completed composition back to the landscape itself, completing a dialogue between artist and environment.
A meditation on impermanence, consciousness, and the fragile bond between humanity and the natural world.
After C. P. Cavafy. Dedicated to the body, to remembering, to forgetting.
When blinded, the senses can cross-pollinate so that they become more closely bonded.
Likewise, they can also disassociate and lose contact with each other. Desire transforms things into other things. The erotics of absence and suggestion direct attention away from the materialism of pornography.
Longing is described through cinematic space as distance and proximity.
Official Selection International Film Festival Rotterdam 2026 - World premiere
1985 was a difficult year for me. My mother had died, an attempted love affair went badly wrong, I hadn't made a film for five years. I bought a video camera and went to Cuba for three weeks.
Music and memory play important parts. I first heard this particular music in Louis Malle's LES AMANTS (1958) when I was a teenager.
Now AGAIN is the first filmic interpretation of Marcel Proust's entire novel 'À la recherche du temps perdu'.
Part One encompasses the volumes SWANN'S WAY and WITHIN A BUDDING GROVE.
Now AGAIN is the first filmic interpretation of Marcel Proust's entire novel 'À la recherche du temps perdu'.
Part Two encompasses the volumes of THE GUERMANTES WAY.
The first filmic interpretation of Proust's entire novel, Philpott stretches narrative form into rich and varied experimental territories, providing a visual feastand sonic immersion, using AI and unique digital production techniques, to reveal the vast panoramic structure of Proust's great masterwork and provide a 21st century foundation for this timeless 20th century epic.
A new form of story-telling for a modern age.
Closer to documentary invention, rejecting costume drama.
Closer to art than stage.
Writing in pictures and music.
In extreme cold, the human body can turn against itself through paradoxical undressing: failing nerves mistake freezing for heat, compelling the dying to shed their last protection.
In 水托邦 HYDROTOPIA, hydrophones frozen into ice capture the material disintegration of their frozen body as a projected film gradually emerges into clarity. The film follows British-Chinese artist Jamie Man suspended by hooks pierced through flesh in a winter landscape, practising rituals rooted in Shiva-dedicated traditions that explore a state of perpetual non-being. As the ice surrenders its form and the image sharpens into focus, transformation itself becomes the subject: matter abandoning one state for another, the body held suspended between dissolution and emergence.
Official Selection International Film Festival Rotterdam 2026
A feature documentary journeying into the depths of the COP climate conference in Dubai. Are these enormous get-togethers all about false promises that hinder change? Or are they the only hope we've got for world-saving unity?
With his innocuous selfie-stick, filmmaker Josh Appignanesi moves unnoticed through Dubai's seductive slickness to reveal the talks, meetings and backroom parties behind the strange mixture of global cry for help and political jostling that is a COP.
Lost in translation, he comes face to face with the irony of an oil baron hosting this last-chance climate saloon in a techno-utopian leisure city -- that, er, happens to be built in a burning desert. But then the business-as-usual is ruptured by a searing encounter with indigenous voices from the frontline of climate injustice…
Through the psychoanalytic and introspective voiceover of a young post-pandemic Chinese migrant in Europe, the film interweaves her private memories of intimacy with public narratives of resistance. As her reflections unfold, she and her community navigate secrecy, repression, survival, looming precarity, and displacement, all while confronting the personal cost of existing in a world that demands their silence.
Playing with Fire introduces audiences to an intimate virtual performance by Yuja Wang, inviting guests to witness the physical and mental act of performance through repertoire personally selected by Yuja, ranging from Bach and Chopin to Debussy, Prokofiev and Stravinsky. From this repertoire, writer and director Pierre-Alain Giraud has crafted a narrative and created transformative visual and musical worlds in collaboration with artist Gabríela Friðriksdóttir.
At the center of the space, both real and virtual, is a Steinway & Sons Spirio concert grand piano, which acts as the bridge between the concert hall and the artist’s inner visions. The Spirio system—an advanced self-playing technology that can precisely record and reproduce the keystrokes of live performances—recreates Yuja’s virtuosity on the physical instrument in real time, synchronised with the holographic fingers of her virtual self.
Between film screenings across the world, Mark Jenkin muses on cinematic influences, ponders cultural history and reflects upon home.
Official Selection Toronto International Film Festival 2025 - World premiere
Official Selection BFI London Film Festival 2025 - European premiere
