In a future Northern England devasted by climate change, an environmental worker uncovers an abandoned library where books and technology have fused into the architecture and landscape to create new stories.
19-year-old CJ is working to salvage valuable resources from the flooded and haunting remains of a once-thriving coastal town. The world she inhabits leaves her feeling angry and displaced. She is living through the catastrophic consequences of previous generations’ mistakes.
Taking shelter from an approaching storm, CJ ventures inside the old library, where she discovers a bizarre ‘living’ fusion of nature, language, and technology. At its heart is The Librarian, a malfunctioned AI that has been gathering data and archive film from its turbulent surroundings.
Affected by years of extreme temperatures and abnormal weather conditions, The Librarian is forming its own unique work of literature: a story of connectedness and hope that needs a strong and resilient protagonist.
Eyes are tracked and attentions plotted as a fictitious audience follows the narrator's orders. They are divided by the screen and though they try, neither can see through to the other side. We question the relationship's reciprocity, and start to feel a strange empathy for the narrator.
A true story captured through poetry.
Director and poet Konadu Yiadom Gyamfi follows the journey of Stella, a female welder from Uganda. Shot in Ghana, the film showcases the profound impact of faith in guiding her towards success in a world that often challenges her path as a woman.
“There are so many diverse and captivating stories to be explored within this beautiful and complex continent but we don’t often hear the stories of women from their own mouths. Platforming stories like Stella’s is how we start moving forward in portraying Africa and its people.”
Defying expectations through her resilience and passionate dedication to her craft, Stella transcended early challenges she faced by entering into a programme for young women, now a working welder in spite of societal beliefs regarding women’s roles.
Evolving over several months of close collaboration between Stella and Gyamfi, the film illustrates Stella's life and the local landscape through insightful conversations tracing her path into welding, lensing a remarkable reality that confronts narratives on African women that strip away their agency.
Official Selection Afrofuture Film Festival 2023
Official Selection Toronto International Nollywood Film Festival
Ste Giddings grew up with addictions in himself and those around him. At 26 he was giving up on life. STEPHEN is a film-within-a-film that combines narrative fiction with real-life observation and archive material. It takes us on intimate journeys into two characters as Ste auditions for and takes on a role in a fiction film. Produced with a mixed cast of people in addiction/recovery alongside four professional actors, the film presents alternative perspectives on urgent social questions including alcohol/drug misuse, gambling and mental health. As fiction merges with reality the separation between person, actor and character at times dissolves.
Official Selection Sheffield DocFest 2023 - World premiere
Many queer people are alienated from the idea of undressing for a massage, entering a typical barbershop for a 'men's haircut' while being perceived as something else, or facing the repercussions of a 'controversial' tattoo. BEING SEEN follows three individuals as they each attend an appointment with queer practitioners.
Official Selection Encounters International Film Festival 2023
A meditation on growth and symbiosis, inspired by the entangled lives of fungi. Journey into a hidden world where edges blur, connection is vital and life thrives through togetherness.
Official Selection Annecy International Animated Film Festival 2023
An autobiographical short film that tells the story of Neapolitan teenager Dino Desica, who joins a neo-fascist group to escape discrimination for being non-Roman and queer. The film's title references a controversial 2006 political debate statement, adding layers of historical context.
The film features a group of women who reside in a care home in a small market town of Sefrou, Morocco. HER PLOT OF BLUE SKY is a record of one of the days in which the Amazigh women inhabitants of the care home were seen using the cameras. The images they create - of themselves and others - are playful yet harrowing, they point to the invisibility of women, non-hetero normative, neurodiverse, functionally diverse and elderly people in media more general. Woven into the women's narratives is Rachida Madani’s poem, Tales of a Severed Head.
The installation triptych employs AI-imagery to explore themes of desire and the expanding gap between real experience and artificial representations in the digital age. The interactive experience consists of three related works that use AI to augment, subvert, and negate the iconic image of the Hollywood kiss. Using a queer lens to appropriate a classic Hollywood aesthetic, the work places AI within the history of image-production technologies meant to incite and homogenize our desires. In the process, it reveals the nature of AI imagery and hints at how our most intimate desires will continue to be stretched and shaped by artificial representations at an accelerating pace.
Official Selection SXSW Film Festival 2020 - XR Experience Special Event- International premiere
When a Filipino victim of modern slavery in the UK stops responding, her rescuers fear the worst. By exploring their own memories and experiences of slavery, her would-be rescuers find strength in their community and resolve to save her.
Official Selection SXSW Film Festival 2024 - International premiere
A cinematic essay composed of over 200 postwar U.S. informational films and newsreels from the Library of Congress and the National Archives. What begins as an inquiry into America’s vision of early European integration becomes a feminist re-reading of the masculine gaze that shaped the postwar world. Through archival images once used to define ‘the global’ and ‘the other,’ the film exposes the links between Hollywood, propaganda, and the military-industrial complex in constructing Western modernity. By casting a female gaze on these histories, THIRD PERSON (PLURAL) challenges the authority of the archive and reveals the unseen many who inhabit it - the collective ‘third person’ who looks back at the camera.
A meditation on the continuing history and emancipatory potential of the Black church as a space of diasporic belonging, affirmation and community organising. The film examines churches as spaces of 'infrapolitics' by exploring the sonic, political, spiritual and existential connections between specific communities.
Official Selection Black Star Film Festival 2023
Official Selection Hot Docs Festival 2023
Official Selection International Film Festival Rotterdam (IFFR) 2024
