Set in the South China Sea during the early 19th century, THE PIRATE QUEEN tells the extraordinary true-inspired story of Cheng Shih, a woman who rose from obscurity to command the largest pirate confederation in recorded history. When her husband dies at sea, Cheng Shih inherits a fragile empire on the brink of collapse. Surrounded by rival captains, internal betrayal, and escalating imperial pressure, she must outmanoeuvre enemies on all sides to keep Red Flag Fleet together. Through strategic brilliance and ruthless restraint, she transforms from an underestimated widow into a leader whose authority rivals the world’s greatest navies.
This narrative-driven VR experience places audiences inside Cheng Shih’s ascent to power.
Developed over five years in collaboration with historians and cultural advisors, the project draws on extensive research into Qing Dynasty China and British–Chinese relations.
Official Selection Cannes Film Festival 2026 - Immersive Competition - World premiere
In a Japanese coastal town still haunted by the 2011 tsunami, a taxi becomes a moving confession booth. Over the course of one night, a series of conversations between drivers and their passengers reveal how those who survived live with the dead - as ghostly tales, dreams and everyday life merge in a magical drift between reality and imagination.
Official Selection Visions du Reel 2026
Ying, a Hong Kong immigrant, has recently moved to the UK with her husband and son. Far from the life she once imagined, Ying feels increasingly lost in her new surroundings. When she unexpectedly reunites with her ex-boyfriend Hong - now an exiled photographer working in a supermarket - long-buried emotions resurface. As they wander through London retracing the historic path of Sun Yat-sen, the two reflect on love, exile, and identity.
A quiet, poetic exploration of longing, resilience, and the emotional cost of displacement.
In 1989, Wong, a first-generation immigrant, and his mixed-race son, Andy, face a challenging evening at their Chinese takeaway. Dealing with impatient customers and mixed-up orders adds to their frustration. Tensions rise when Wong’s eldest son, Kenny, arrives late for work. Their strained father-son relationship unfolds in front of customers. When a group of drunk, racist customers enter the takeaway tensions escalate further.
"I don’t know why you insisted on sleeping together like kids. We were eighteen, for god’s sake…"
"I just got lonely sleeping without you."
Ruweena and Zoe were best friends - well, sort of. Actually, it was more like Ruweena followed Zoe everywhere, from lunchtime to after school and even to uni, while Zoe kind of… tolerated her.
Then, six years ago, Ruweena disappeared and left Zoe all alone. Zoe likes it better this way. Doesn't she? So why is it that she still keeps the single bed they used to sleep in - why is it that she lets Ruweena kiss her the moment Ruweena reappears?
And why does it feel as if there's something terribly, awfully wrong with the bed they used to call theirs?
A 20-minute single-player immersive VR experience that places users inside the body of Zoraan, a British-born Sikh woman navigating menopause amidst climate collapse and the ruins of colonial medicine.
You breathe with her. You scream with her. You dance your way out of sedation.
Blending real-time visuals, bio-haptic feedback and diasporic sound, this work reframes menopause not as decline but as volatile power; closing ‘The Baby Factory’ to ignite a cultural revolution.
Using gesture, voice and biometric feedback, audiences become co-conspirators in a volatile act of embodied rebellion. This is not a metaphor. This is an insurgency.
Official Selection SXSW 2026 - XR Competition - World premiere
[We Are]
A small Asian hair salon in Cambridge. A Chinese-Malaysian immigrant hairdresser, a grandmother, runs her business quietly, happily, and peacefully.
[Still Dreaming of Hope]
The iconic Middle East photograph featured in the film is a staged image. The two boys in the photograph are not an Israeli and a Palestinian, but two Israeli Jewish children.
SIGHTNOTSEEING captures a cultural tour in post-colonial Kowloon, around the remnants of the Walled City, but not the kind of tour you'd expect. Filmed in a single overhead long take, it drifts through performance, misunderstanding, and (post-)truth, held together by confusion and just enough confidence to carry on.
Official Selection International Film Festival Rotterdam 2026 - World premiere
A personal meditation on the intimate ways our lives are shaped by ongoing colonial histories, how we make sense of this knowing and finding joy.
Official Selection CPH:DOX 2026
Centered around the filmmakers’ local park, this film is a celebration of London and the resilience of migrant communities that have shaped the city from its beginnings. It’s about the British Empire Exhibition of 1924-25 and a line which stretches all the way from then to today. It’s about Palestine, which sits along this colonial continuum, and a park full of dancing, BBQs, birthday parties and joy. Through a hybrid form that combines documentary, archival footage, and direct animation this film meditates on the colonial remnants lodged in our lives and asks what it means to celebrate, play, and belong amid the rubble of empire.
Official Selection CPH:DOX 2026
In extreme cold, the human body can turn against itself through paradoxical undressing: failing nerves mistake freezing for heat, compelling the dying to shed their last protection.
In 水托邦 HYDROTOPIA, hydrophones frozen into ice capture the material disintegration of their frozen body as a projected film gradually emerges into clarity. The film follows British-Chinese artist Jamie Man suspended by hooks pierced through flesh in a winter landscape, practising rituals rooted in Shiva-dedicated traditions that explore a state of perpetual non-being. As the ice surrenders its form and the image sharpens into focus, transformation itself becomes the subject: matter abandoning one state for another, the body held suspended between dissolution and emergence.
Official Selection International Film Festival Rotterdam 2026 - World premiere
Through the psychoanalytic and introspective voiceover of a young post-pandemic Chinese migrant in Europe, the film interweaves her private memories of intimacy with public narratives of resistance. As her reflections unfold, she and her community navigate secrecy, repression, survival, looming precarity, and displacement, all while confronting the personal cost of existing in a world that demands their silence.
