The true life story of John Davidson. Diagnosed with Tourette's at 15, Johnson was targeted as insane by his peers, as he struggled with a condition few had witnessed. Campaigning for Tourette's as an adult, he was awarded an MBE in 2019 by Queen Elizabeth II in recognition of his pioneering advocacy.
Official Selection Toronto International Film Festival 2025 - World premiere
Official Selection International Film Festival Rotterdam 2026
A young woman's psyche is haunted and fractured by the relentless demands of the predatory industry she sought to break into.
Set against the backdrop of a female actor returning to the casting room, a psychological short film about the mental experience of dissociation. Through a surrealist lens, the film explores themes of performance, identity, gendered power, and a destructive nature of ambition.
Lewis, a young, dishevelled, unsuspecting man finds himself in a cacophony of trouble, as a local gang leader, Frankie takes advantage of his need for connection and sets up shop in his flat.
At its core, this film is a gritty, cinematic look into the manipulative world of cuckooing and what happens when you underestimate someone's abilities to make their own choices.
Official Selection BFI London Film Festival 2025
An experimental feature film that dives into the murky waters of memory. The filmmaker's daughter Eden, dressed as Dorothy, walks a path of recollection but she does not walk alone. On her journey she is accompanied by workers from a factory that produces memory.
Official Selection Edinburgh International Film Festival 2025 - World premiere
A group of facilitators, apprentices, volunteers, people living with dementia, and their supporters gather in a community hall. Together, they revisit memories of food, discovering how the past can affect the present.
A tender short documentary on friendship and motherhood in Liverpool 8, where over one in six families are headed by a single parent.
Through letter-writing, conversations and retrospective walks, director Amber Akaunu delves into her childhood, as the daughter of a single mother, contextualising the experiences of single mothers today.
These intergenerational stories are connected by the community found in corner shops, places of worship, neighbours, community centres, family and friends.
CRYBABY is a deeply personal animated short by Welsh filmmaker Eleri Edwards, created through Ffilm Cymru’s Beacons scheme and produced by Biggerhouse Film, a company dedicated to amplifying marginalised voices. Drawing on her own experiences of late-diagnosed autism, Edwards crafts an intimate portrait of self-discovery, memory, and the struggle against internalised negativity.
The film follows Carys, a 24-year-old woman packing boxes as she prepares to leave her parents’ house. What begins as a simple act of moving soon dissolves into an otherworldly landscape where she is overwhelmed by endless boxes and the haunting weight of her past. Lurking in the shadows is Carys’s internal voice, brought to life as an angry, chaotic scrawl of pencil scribbles - an embodiment of self-doubt and internalised stigma.
As she sorts through the fragments of her childhood, memories of early school days and teenage sleepovers resurface, revealing the pain of exclusion and misunderstanding that shaped her. The 2D animation shifts fluidly between reality and imagination, capturing the turbulence of Carys’ inner world.
CRYBABY is both a personal reckoning and a universal story - an exploration of autism, mental health, and the fight to silence the critic within.
An unflinching portrait of four bare-knuckle fighters, including a devoted father fighting for his family’s future while haunted by his past. Set between the chaos of the cage and the quiet of home, it explores masculinity, survival, and the cost of breaking the cycle you were born into.
Four queer people, in beautiful and striking sites and environments across Scotland, ask questions about the stories we choose to tell and how these stories shape the lives of those who come after us.
The film is an archive for the future, claiming space for marginalised cultures, languages and identities.
A moving image artwork exploring zones of momentary overlap between seemingly opposing elements.
The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands.
The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface.
*From Deborah Levitt’s ‘The Animatic Apparatus’.
Official Selection BFI London Film Festival 2025
An experimental film that recreates the experiences of dementia through spoken word, documentary, dramatic reconstruction, and never-before-seen deteriorated archival footage: 16mm films from the 1930s to the 1960s, featuring major historical events and world travel. THE MEMORY BOOM is framed from inside the mind of Pops, a hospitalised grandfather with severe dementia. The decayed footage serves as a visual exploration of Pops' memories.
Pops' grandson narrates from his bedside, attempting to preserve Pops' memories while struggling to comprehend memory loss. Pops' confused thoughts rise to the surface, and he shares them with his grandson as if it were 'storytime' leading him down rivulets of muddled tales and garbled memories spanning his lifetime. Pops' Filipina nurse supports the grandson, sharing her inability to care for her own dementia-affected father in the Philippines. The film charts the trio's journeys through emotional turmoil, leading to a deeper understanding of the nuances of memory.
THE MEMORY BOOM was created with documentary participants from community groups across rural England and features anonymously donated archival materials, courtesy of Exeter Phoenix. The film was made in memory of the filmmakers’ relatives who lived with dementia, and explores memory preservation and photographic consent.
Official Selection PÖFF - Tallinn Black Nights Film Festival 2024 - World premiere
