NOW AGAIN is the first filmic interpretation of Marcel Proust's entire novel 'À la recherche du temps perdu'. Part Two encompasses the volumes of SODOM & GOMORRAH.
Filmmaker Richard Philpott stretches narrative form into rich and varied experimental territories, providing a visual feast and sonic immersion, using AI and unique digital production techniques, to reveal the vast panoramic structure of Proust's great masterwork and provide a 21st century foundation for this timeless 20th century epic.
Complicated and disillusioned, TIME Magazine war correspondent Erin Ryan finds redemption for herself and reconciliation for a nation when she uncovers a compelling story of the fights, football, and friendship of three boys of different faiths in the heart of present-day Jerusalem.
Desperate for connection, David digs up his brother's corpse. With their trusty red wagon, they ascend a treacherous mountain in pursuit of their childhood dream
Official Selection Edinburgh International Film Festival 2025
BAFTA Film Awards 2026 - Longlisted - Best British Short Animation
As Kev prepares to leave his remote village for the promise of the big city, he begins to sense that the locals aren’t willing to let him go. A string of unsettling encounters with the town’s ageing residents draws him into a hidden underworld where tradition is sacred and escape is forbidden. Before long, Kev is trapped in a grotesque, ritualistic game of indulgence, where survival depends on how much he’s willing to consume. With no way out but to play along, Kev must confront the true power at the heart of the village - the Butcher.
Imagine hearing your own body: eyes scratching, blood rushing, bones creaking, your heartbeat pounding endlessly. For most, it’s unthinkable. For Dave, it’s daily life. Since 2000, he has lived with Superior Semicircular Canal Dehiscence Syndrome (SCDS), a rare disorder that turns his body into an echo chamber.
This immersive short documentary draws viewers into Dave’s sonic reality through raw narration, stark black-and-white imagery, and an unsettling soundscape. As he recounts years of misdiagnosis and disbelief, the film explores resilience and isolation, ultimately asking why we doubt invisible pain and how empathy begins by truly listening to what we cannot see.
In a desperate attempt to escape his troubled home life, a young teenage boy runs away to seek out his estranged father, a once-famed professional wrestler.
Amongst the wind-swept desolate marshes and dense forest sits Ithaca, cloaked in mist post rainfall; a storm is coming. Once a palatial estate turned children’s home, now a high-end hotel, much like its former owners, Ithaca rots from the inside out. Though its exterior is luxurious, its rooms well appointed, and the restaurant’s menu composed of delicious, hand-foraged wild produce, the twisted secrets of Ithaca’s past form an indelible stain that cannot be exorcised.
Into this eerie world steps Leda, under cover, pretending to be a ghost-writer tasked with penning the memoirs of the estate’s previous owner: Jove Livingston who has passed away. A memorial event to celebrate Jove’s life is being held, an event that will be celebrated by a lavish dinner. Leda will discover the deep and terrible secrets of Ithaca.
A revenger’s tragedy, set in a Downton Abbey-like world, portrayed through a hallucinogenic lens, with an almost fetishistic detail around the food, nature and wardrobe where the evil sins of the past are exposed and revenge is served up on a plate.
Kevin and Cassandra are a married couple who have lost their only daughter Hannah in a freak car accident. They both raised her differently. Kevin had been a traditional parent, Cassandra a permissive one. While Hannah had decided to exhibit her body and mind online, she cut adrift from her father and gravitates towards her mother. Her death drove a wedge between them.
Their lounge becomes a battlefield where incendiary words and spiteful things are said. Their marriage is one where opposites no longer attract. Kevin is filled with loathing for his in-laws, his daughter’s boyfriend, himself. Cassandra wears her daughter’s favorite colours with pride and exhibits her painting on the walls. Kevin finds he is powerless in his home and Cassandra mocks the fact that it was her father who bought it. And when he finally leaves it, he leaves Cassandra forever.
With the demolition of a once-thriving steel factory set to begin, environmental scientist Morana is onsite to oversee the process. However, as the dismantling date looms closer, so too does the final day of her visa.
Left on hold with the immigration office one night, she discovers that the defunct plant mysteriously comes back to life.
As her own job insecurity looms and the town edges towards oblivion, Morana must face the fragility of her own existence - and how much she has truly in common with the laid-off workers.
All Edie has ever known is her Granny’s world. A crumbling mansion, where Edie does whatever Granny does. And what Granny does is pickle.
Together they preserve everything - cucumbers, of course, and green pickle juice, yes, and Edie’s childhood toys as well; plus all the family heirlooms of a vast and forgotten empire.
Everything must be pickled. It’s no easy task to capture all these memories forever. Sometimes, Edie gets a little distracted. In fact, sometimes Edie doesn’t want to pickle at all. No, what she really wants is to dance.
Luckily, Granny keeps her on track. Best friends, working side by side. But there’s something Edie doesn’t know: it’s all just training, for the most important pickling yet. Granny has taught Edie everything she knows, and now it’s time for Granny Pickleworth to join her ancestors.
It's also time for Edie to decide what life she wants to live.
In a remote village in southeast Turkey, 35-year-old Meryem begins the annual olive harvest. For generations, the groves have sustained the village women's livelihoods, but this year, the harvest takes place under a shadow of fear. Following a devastating earthquake that destroyed Meryem’s home, 60% of the village’s olive lands have been seized by the government to build a new satellite city. As the concrete edge presses steadily toward their remaining fields, this harvest may be their last.
Once a stay-at-home mother, Meryem picks up a camera to document the slow unraveling of her community. Women, previously confined to the home, step into public life - leading protests, sit-ins, and a landmark lawsuit alongside thousands of indigenous landowners, to protect the land they have tended for centuries. Interweaving Meryem’s video diaries with observational footage, the film moves between intimate scenes of the family harvest and the female-led resistance. As the movement unfolds, the once-perfect harvest is gradually disrupted by destruction.
HERE TO STAY tells the story of a people’s fight for justice, tracing how tragedy transforms Meryem from mother to resistance leader, as she seeks to protect the land she calls home.
