KING OF THE APOCALYPSE takes us into the heart of the American militia movement with Dakota Adams, the de-radicalized son of Stewart Rhodes – founder of the Oath Keepers who is now serving 18 years in prison for his role in the January 6 United States Capitol attack in 2021. With exclusive access to Rhodes, and framed by the unique perspective of his estranged family, we tell the story of the enigmatic militant leader’s origins, his turbulent family life, and his descent into paranoia and extremism.
With Rhodes in prison, even more radical militia leaders are emerging, such as Mike Dunn of the Boogaloo Bois, who believes that January 6 was just a dress rehearsal for the real civil war that's coming. Mike is the antithesis of gentle Dakota. While one young American claws his way out from extremism, we watch the other being sucked deeper in. As we immerse ourselves in their ideas and beliefs, we reveal the underpinnings of political violence and gain essential insight into where America could be heading.
Dublin 1985. Teenager Billy is cultivating an obsession: he’s tracking down VHS tapes of films branded 'Video Nasties' – The video nasty ruckus was fuelled in the early days of home video by conservative activist Mary Whitehouse, concerned about the harmful influence of certain horror films deemed 'extreme'.
Official Selection Rotterdam International Film Festival (IFFR) 2025
The story of two full-of-life, lonely and desperate strangers. One has risked his life to come to the UK to seek asylum; the other is a bold, vivacious woman clinging on to life, looking bleakly to her future whilst not quite being able to let go of her chaotic past. Jostling between comedy and heart-breaking moments of vulnerability, our story treads the fine line between pathos and humour, where human nature and tragedy are just a part of everyday life.
Cindie is jobless, childless, and her life has been spiralling - addicted to her love of a party, vaping and drink. A working-class woman about to turn 40 and at her lowest ebb, she’s offered a lifeline via a sham marriage by fixer Amel - to a political refugee, Tariq, 27. In 2025, the number of people crossing the Dover Straits to the UK to seek asylum has doubled to around 60,000; this number continues to rise.
A story about drag, immigration, class and true friendship. And so much more than that - it’s a love story, a modern fairy tale, and love is something we can all relate to regardless of sex, race, or religion – love is universal.
An explosion in a central London Hotel. Three strangers escape together and hide out in a room. "Just sit in the middle of the room and be quiet", they're told. What could be easier?
A comedy about the 24hr news cycle, 'experts' and whether or not social media is more important than people's lives.
Oxford Professor Patricia Kingori travels to Kenya, where she uncovers the murky, multi-billion global underworld of essay-writing. Thousands of young and highly educated Kenyans – overqualified and chronically underemployed – have found lucrative work writing essays for students around the globe who are able and willing to pay for them. It’s a complex portrait of an issue that undermines the foundations of a pillar of humanity: education.
Official Selection BFI London Film Festival 2024 - Documentary Competition - World premiere
Official Selection IDFA (International Documentary Film Festival Amsterdam) 2024 - International premiere
Official Selection CPH:DOX 2025
Official Selection Tribeca Film Festival 2025
Eleven year old Francis is a devout atheist, just like his parents. But when his parents suddenly separate, Francis realises that his family life is moving further away from what he knows and loves.
Alone and desperate for guidance, Francis takes refuge in the nearby woods where he encounters an unconventional mentor; a larger than life New York Gangster.
Lawrence Lek directs an animated court drama where the defendant is a driverless car accused of kidnapping its own creator. Setting the premise for the artist to address themes like accountability, agency, the (already happening) use of AI in the justice system, and the future of class struggle.
Official Selection International Film Festival Rotterdam (IFFR) 2025
Chronicling the inspiring and offbeat recovery of Joanna Callaghan, a two-time hereditary cancer survivor, who takes a radically creative approach to healing after breast cancer treatment. Following a double mastectomy, Joanna reclaims her body in the most unexpected ways - building a giant inflatable breast, devising song-and-dance routines inspired by post-surgery exercises, and throwing a party to celebrate breasts. Her journey is not just one of physical healing but also a powerful exploration of body acceptance and resilience.
Through a blend of self-shot footage, animation, and archival clips, the film brings humour and heart to the sensitive topic of breast cancer recovery. Joanna’s imaginative outlook shines through as she revisits her treatment, reconnects with family, and meets other survivors to share stories. Along the way, she faces the emotional toll of illness, navigates her own transformation, and demonstrates the power of creativity as a tool for survival.
This raw yet uplifting documentary delivers a message of hope and joy, shedding light on the deeply personal and universal experiences of those affected by breast cancer. Its inventive approach and fresh perspective on survivorship inspires viewers to find humour, hope, and healing even in the most difficult circumstances.
A retired boxer returns to the ring for one last shot at the title but only if he can make the weight. Holed up in a room in Las Vegas he embarks on an intensive and illegal weight loss programme with an unscrupulous trainer.
Official Selection Toronto International Film Festival (TIFF) 2024 - World premiere
A couple fall in love after a chance encounter, build a home, start a family, and face difficult truths.
Official Selection Toronto International Film Festival 2024 - World premiere
Official Selection BFI London Film Festival 2024 - International premiere
During the 1950s, Ireland had the highest rate of psychiatric hospital use globally. Using archival documents, filmmakers Cáit McClay and Éiméar McClay look critically at the evolution of Irish psychiatric institutions across the 20th century, examining the confluence of carceral, therapeutic and socioeconomic incentives that determined their influence.
Official Selection Rotterdam International Film Festival (IFFR) 2025 - World premiere
