Based on documents found in Berlin archives, 'Four Parts of a Folding Screen' explores exclusion, statelessness and the legalised theft and sale of everyday family possessions by the National Socialist regime. A voice, enigmatic and sometimes uncertain, foretells of, relates and recalls the routine processes of injustice and their legacy: the creation of a diaspora of household objects, scattered amongst buildings that no longer exist. As the camera probes the secrets of ordinary spaces, streets and buildings around the city of Berlin, semblances of a person and a history begin to emerge and coalesce.
Official Selection Rotterdam International Film Festival 2018 - World premiere
Krishna wakes up in a strange place, with a strange guy. As she pieces together how she got there, she realises that the reasons may be bigger than just the night before.
Official Selection Sundance Film Festival 2018 - International Short Film Competition - International premiere
Frank, funny and moving drama about four young women's abortion
experiences, told verbatim from real interviews, with spoken word and urban-afro music. Adapted from a successful theatre show.
Official Selection Hot Docs 2019 - Persister - International premiere
A young woman visits home and just as she's about to ring the bell, the aroma of food evokes a powerful memory which takes her back to her childhood and it also reminds her of her fabricated past.
Official Selection Rotterdam International Film Festival 2018 - World premiere
Yohana, a teenage girl from a remote community in the Norwegian Arctic must decide the fate of the oil worker who killed her father. In just seven seconds, she must make a life and death decision that will not only mark her forever, but determine the future of her people.
A young girl is trying to do something good with her life and at the same time looking after her sick mum, who has been diagnosed with cancer. The girl embarks on a journey to become the Miss Sierra Leone UK 2017 to make her mum proud.
The United Kingdom. Soon.
Mounting socio-economic tensions in Britain have culminated in all-out civil war as the State battles rebel militia for power. A young woman who calls herself Ruth wakes up in a blindingly white cuboid room: the White Chamber. A gruff male voice from the outside demands information about the chamber and the laboratory that houses it, but she has none. Ruth claims she is merely an admin girl at the ‘facility’ which created the White Chamber.
To gain the answers he seeks, her captor utilises the gruesome functionality of the cuboid as an instrument of torture. The temperature within the chamber shifts between the extremes; water, acid and even electricity fire out of the structure’s perforated ceiling. Ruth’s mind, body and soul are thus pushed to their very limit. Ruth begins to talk to her captor… but is she just saying anything to survive or does she know more about the forbidding White Chamber than she is letting on?
Funk Queen Betty Davis changed the landscape for female artists in America. She “was the first…” as former husband Miles Davis said. “Madonna before Madonna, Prince before Prince”. An aspiring songwriter from a small steel town, Betty arrived on the '70s scene to break boundaries for women with her daring personality, iconic fashion and outrageous funk music. She befriended Jimi Hendrix and Sly Stone, wrote songs for the Chambers Brothers and the Commodores, and married Miles – startlingly turning him from jazz to funk on the album she named “Bitches Brew”. She then, despite being banned and boycotted, went on to become the first black woman to perform, write and manage herself.
Betty was a feminist pioneer, inspiring and intimidating in a manner like no woman before. Then suddenly - she just vanished. Betty Mabry Davis is a global icon whose mysterious life story has until now, never been told. Creatively blending documentary, animation and nonfiction techniques, this movie traces the path of Betty’s life, after years of trying, the elusive Betty, forever the free-spirited Black Power Goddess, finally allowed the filmmakers to creatively tell her story based on their conversations.
Official Selection IDFA 2017 - World premiere
Inspired by American touring blues acts like Muddy Waters and Sister Rosetta Tharpe and with the complicity of a 19-year old student from Teheran, in 1962 guitarist Alexis Korner and harmonica player Cyril Davies opened the Ealing Club, London's (and Britain's) first Rhythm and Blues venue.
Soon young music fans from all over the country start attending Alexis and Cyril's shows and sit-in during their set. The list of youngsters who learn the blues at the Ealing Club includes: Jack Bruce, Ginger Baker, Paul Jones, Brian Jones, Mick Jagger, Keith Richards, Dick Taylor and Eric Burdon (just to name a few).
The Ealing Club, a.k.a. 'The Cradle of British Rock' (Mojo Magazine), a dingy and smokey concrete-floored basement barely mentioned in music history books will only last three years, but its pivotal role in nurturing the golden generation of Classic-rock musicians and kick-starting the British Blues movement remains undeniable.
When we started this journey several years ago, there was no expectation at all that Shirley would ever sing again. What initially attracted us to making the movie was Shirley’s deep commitment to English folk tradition, and her little-known involvement in arguably the most important field-recording trip of all time; back in 1959 with her then-lover, the iconic ethnomusicologist Alan Lomax. The film was going to be about the past, and about the 30 years she had spent living without the thing she loved most. It’s been an absolute privilege to be with Shirley on this long journey back to her singing again, and along the way, the film has evolved into something we never expected.
Official Selection Rotterdam International Film Festival 2018 - International premiere
A funny yet touching coming of age football memoir played out to the sights and sounds of Britain in 1970. Adapted from the comic novel by Dave Roberts, it recounts the author’s highs and the lows supporting his beloved team Bromley FC through their worst ever season.
Bumping along at the bottom of the bottom non-league division, and effectively the worst football team in Britain, Bromley had reached breaking point. Desperate for a change of fortune, and deluded by his own overactive imagination, Dave hatches a plan that will not only see Bromley grabbing the headlines on national TV, but also have a number of top flight clubs descending upon Hayes Lane to scout Bromley’s dubiously overrated centre forward. Throw into the mix the Bromley Chairman’s daughter Ruby King – who actually hates football, but has taken quite a shine to Dave - and you have a recipe for disaster which has Dave’s football fandom tested to the core.
It just goes to show you can't choose who you fall in love with.
As our planet is in deep shit (sheeeeeeeee-it) this animated video reflects that shit - quite literally, in fact, as again-again-again (we eat the world and the world eats us) takes the viewer on a ride on an intestinal highway, passing lakes of glossy dung, as if Charlie’s chocolate factory has just turned into shit. The video is a roller coaster ride through different scenes of social decay, violence and riots, set over the rolling hills of a post-Brexit catastrophe, a crisis which has turned this part of the world into a big load of shit. Sheeeeeeeee-it! Heavy shit which goes down lightly, as layers of destruction pour into a well-crafted narrative of post-millennia-anxiety with sweetly sick humor.
