Now AGAIN is the first filmic interpretation of Marcel Proust's entire novel 'À la recherche du temps perdu'.
Part Two encompasses the volumes of THE GUERMANTES WAY.
The first filmic interpretation of Proust's entire novel, Philpott stretches narrative form into rich and varied experimental territories, providing a visual feastand sonic immersion, using AI and unique digital production techniques, to reveal the vast panoramic structure of Proust's great masterwork and provide a 21st century foundation for this timeless 20th century epic.
A new form of story-telling for a modern age.
Closer to documentary invention, rejecting costume drama.
Closer to art than stage.
Writing in pictures and music.
A personal meditation on the intimate ways our lives are shaped by ongoing colonial histories, how we make sense of this knowing and finding joy.
Official Selection CPH:DOX 2026
Centered around the filmmakers’ local park, this film is a celebration of London and the resilience of migrant communities that have shaped the city from its beginnings. It’s about the British Empire Exhibition of 1924-25 and a line which stretches all the way from then to today. It’s about Palestine, which sits along this colonial continuum, and a park full of dancing, BBQs, birthday parties and joy. Through a hybrid form that combines documentary, archival footage, and direct animation this film meditates on the colonial remnants lodged in our lives and asks what it means to celebrate, play, and belong amid the rubble of empire.
Official Selection CPH:DOX 2026
In extreme cold, the human body can turn against itself through paradoxical undressing: failing nerves mistake freezing for heat, compelling the dying to shed their last protection.
In 水托邦 HYDROTOPIA, hydrophones frozen into ice capture the material disintegration of their frozen body as a projected film gradually emerges into clarity. The film follows British-Chinese artist Jamie Man suspended by hooks pierced through flesh in a winter landscape, practising rituals rooted in Shiva-dedicated traditions that explore a state of perpetual non-being. As the ice surrenders its form and the image sharpens into focus, transformation itself becomes the subject: matter abandoning one state for another, the body held suspended between dissolution and emergence.
Official Selection International Film Festival Rotterdam 2026 - World premiere
A year after 7 October 2023, a British American Jew sets out to find out why 75% of Jewish Israelis support the way the war is being fought in Gaza.
The story is told using a combination of discussions and street interviews, AI-generated animation, archive and real-time actuality as the investigation builds towards its disturbing conclusion.
A feature documentary journeying into the depths of the COP climate conference in Dubai. Are these enormous get-togethers all about false promises that hinder change? Or are they the only hope we've got for world-saving unity?
With his innocuous selfie-stick, filmmaker Josh Appignanesi moves unnoticed through Dubai's seductive slickness to reveal the talks, meetings and backroom parties behind the strange mixture of global cry for help and political jostling that is a COP.
Lost in translation, he comes face to face with the irony of an oil baron hosting this last-chance climate saloon in a techno-utopian leisure city -- that, er, happens to be built in a burning desert. But then the business-as-usual is ruptured by a searing encounter with indigenous voices from the frontline of climate injustice…
Through the psychoanalytic and introspective voiceover of a young post-pandemic Chinese migrant in Europe, the film interweaves her private memories of intimacy with public narratives of resistance. As her reflections unfold, she and her community navigate secrecy, repression, survival, looming precarity, and displacement, all while confronting the personal cost of existing in a world that demands their silence.
PLAYING WITH FIRE introduces audiences to an intimate virtual performance by Yuja Wang, inviting guests to witness the physical and mental act of performance through repertoire personally selected by Yuja, ranging from Bach and Chopin to Debussy, Prokofiev and Stravinsky. From this repertoire, writer and director Pierre-Alain Giraud has crafted a narrative and created transformative visual and musical worlds in collaboration with artist Gabríela Friðriksdóttir.
At the center of the space, both real and virtual, is a Steinway & Sons Spirio concert grand piano, which acts as the bridge between the concert hall and the artist’s inner visions. The Spirio system—an advanced self-playing technology that can precisely record and reproduce the keystrokes of live performances—recreates Yuja’s virtuosity on the physical instrument in real time, synchronised with the holographic fingers of her virtual self.
Between film screenings across the world, Mark Jenkin muses on cinematic influences, ponders cultural history and reflects upon home.
Official Selection Toronto International Film Festival 2025 - World premiere
Official Selection BFI London Film Festival 2025 - European premiere
With no single protagonist or linear narrative, the film immerses the viewer in a spectacle of strength through an intimate portrait of bodybuilders in the slums of Lagos. Inflated muscles, bulging veins and luminous skin glistening with sweat fill the screen. Shot almost entirely in close-ups, the camera hovers so near its subjects, moving softly like breath on skin, that at times figures become blurred, abstracted forms.
Karimah Ashadu’s slow, measured pans across backs, chests and arms meditate on visibility, drawing attention to the embodiment and representation of the Black male body without rendering it singular or fixed. The metallic clang of barbells is punctuated with guttural sounds of exertion set against the ambience of the streets. Breath and muscle move in syncopated sonic choreography, and the men’s commitment to the ritual of maintaining the body is evident.
Official Selection Berlin International Film Festival 2026 - Forum Expanded - International Premiere
In this South Asian team sport, players repeating ‘kabaddi’ frantically cross boundaries on the court, tagging their opponents before returning.
Ka ba Ddi is a high-energy team sport originating in South Asia played between two teams of seven players on a divided court. Players respond to boundaries, bodies think in relation to each other: lines of the court, focal points for players movements. Stretching back into their own territory; a vocabulary of movement that make connections with what is happening in the wider world, in domestic UK politics but also internationally. Territory has never felt so terrifying or so contested. The rules based order of Kabaddi stipulates that one team sends a single "raider" into the opposing team's territory, the aim is to tag/touch as many players as possible from the opposing side before retreating back into your own territory. Rules govern our bodies, we live in a series of ever increasing courts both materially and ideologically.
Official Selection BFI London Film Festival 2025 - Short Film Competition
An evocative virtual reality experience from director Sacha Wares with music by Dan Jones and Evelyn Glennie.
For the first seven years of her childhood, American artist Judith Scott shared a bed with the twin sister who adored her. One night, everything changed.
This beautiful multi-sensory biography transports you to a sun-kissed 1950’s family home in Ohio, placing you at the heart of Judith Scott’s devastating story of love and separation.
Official Selection CPH:DOX 2026
A vampiric trio move through sacred ruins, where bodies blur, relics stir, and both life and death appear in shadow.
Official Selection BFI London Film Festival 2025 - World premiere
Official Selection International Film Festival Rotterdam 2026
