You awaken on a fog-shrouded shoreline and meet Echo, a strange child with a hole in their stomach. Together you cross a lantern festival where the veil between worlds is thinnest, sail into an ocean that opens beneath you, and descend through a portal into the Underworld.
The Underworld moves through different facets of grief: a rave where silhouettes dance in slow motion, indifferent to Echo's attempts to reach them; a frozen sea where giant statues crack open to release a buried memory of a lost mother; a shadow theatre where an anger monster is unleashed, reducing everything to embers.
From the embers, a boat carries you into a vast darkness, where Mother appears, and they are finally reunited. You sail together to the Tree of Life, a bioluminescent, cosmic jungle. Echo begs her to return to the World of the Living, but ancestors appear and surround you. She cannot come back - the journey was never about bringing her back. Echo, revealed to be your own child self, dissolves around you as the hole fills with light.
How do we remember the past when our history has been faked?
One man’s idea to rebuild a capital on the foundations of an unfinished city erased a collective memory, casting a dark shadow over Skopje's future identity.
Jude and Sam, a grieving couple clinging to routine and survival, whose lives are upended when William, a coldly devout government “foxfinder,” arrives at their struggling farm with a mission to root out the designated enemy - the fox. As paranoia festers and absurd regulations tighten their grip, suspicion replaces love, and truth itself begins to warp.
A high energy, fast paced, tragic and comedic look, at a city changing beyond recognition. It's younger generation, fighting for self expression.
Frank, a crooked businessman, runs; The Apollo. A venue in the heart of Glasgow, famous for the iconic bands it hosted. Supported by his cronies, mostly hoods and part time gangsters. Frank profits from the business but has no interest in its social significance. His 3 sons (all in their 20’s) are: Andy; training to be a priest, Mark; an ex-soldier, and Ian; Studying at University. Frank also has an illegitimate son called Beattie, who suffers from epilepsy. Each of the sons are very different and the film explores the character development of these young men over the space of 3 days and in the epilogue. Where the action jumps forward to 3 months later.
The film incorporates live action (re-enactments) of gigs which took place at the time at the Apollo.
BECOMING CAPA is a tale of love, audacity and defiance set against the backdrop of a world in political turmoil. Two tenacious young European refugees fall madly in love and defy the fractured world around them by creating the character of enigmatic American photographer Robert Capa, together shooting some of the most iconic photographs of the 20th Century.
A young artist confronts the dissolution of love in a hypnotic journey where memory, desire, and past lives intertwine - blurring the edges of reality and revealing the enduring weight of emotional connection.
BARE is a coming-of-age survival story set in the shadows of London. After running away as a teenager, Sophie finds herself living on the streets, navigating a world shaped by danger, loss and invisibility. Amid the darkness, she discovers a fragile sense of belonging - a chosen family whose connection becomes her lifeline. What begins as a fight to survive becomes a journey of resilience and self-discovery, as Sophie learns that even in the harshest places, community can be a source of light. BARE is an empowering true story about endurance, identity and finding hope where it is least expected.
Following a devastating breakup, Marianne escapes London with her closest friends in search of healing. What begins as an intimate portrait of grief and female friendship gradually gives way to something far older and more dangerous, as the women become entangled with an ancient witch who endured violence that echoes Marianne's own trauma and betrayal.
As folklore begins to bleed into reality, repressed desire, resentment and rage surface with terrifying consequences. Caught between possession and liberation, Marianne must face the darkness she has repressed.
When filmmaker Lilyana Torres learns that her grandfather hired hitmen to nearly kill her father, she sets out to confront him in Tamaulipas, Mexico, and force an apology.
The attack left her father with cracked ribs, a broken nose, and loose teeth. Its architect was his own father. Like much of Lilyana’s family history, nobody spoke of it again. So she begins planning his murder.
In darkly comic fictional reenactments, Lilyana trains for revenge with the help of a retired detective. Some methods are efficient, others grotesque, all adapted to an ageing man. Against these fantasies, family home videos reveal a more unsettling contradiction: birthday parties, tenderness, and a grandfather who once appeared devoted to his son and granddaughter. How could a parent put their own child’s life at risk?
Before Lilyana reaches him, her grandfather dies peacefully in bed, taking every explanation with him. Determined to complete the film, she casts an actor named Perfecto to play him and kills him on screen, again and again. But the performance exposes the question she cannot escape: what does revenge actually resolve?
Lilyana confronts the possibility that the violence she wants to destroy may already live inside her.
