NOW AGAIN is the first filmic interpretation of Marcel Proust's entire novel 'À la recherche du temps perdu'.
Part Three encompasses the volumes of SODOM & GOMORRAH.
Filmmaker Richard Philpott stretches narrative form into rich and varied experimental territories, providing a visual feast and sonic immersion, using AI and unique digital production techniques, to reveal the vast panoramic structure of Proust's great masterwork and provide a 21st century foundation for this timeless 20th century epic.
Complicated and disillusioned, TIME Magazine war correspondent Erin Ryan finds redemption for herself and reconciliation for a nation when she uncovers a compelling story of the fights, football, and friendship of three boys of different faiths in the heart of present-day Jerusalem.
Sami, a Syrian refugee in the UK, and Bryony, an aimless young librarian, embark on a highly personal quest to preserve a bell from a demolished Christian church.
What begins as a civic protest quickly becomes a criminal case when they accidentally near fatally injure a security guard, and find themselves on the run from the police.
However, our accidental heroes’ fate is sealed by a kindly police sergeant who is moved by their mission, and our odd-couple achieve their goal of saving the bell and reminding the town they both call home about the importance of remembering its own story.
A coming-of-age odyssey of love, loss and life at breaking point. Over one riotous night in Bradford, Frankie steals his dying best friend Taylor out of hospice to outrun the inevitable.
Euphoria spirals into chaos as Frankie unravels and Taylor fights to hold him together. Beneath exploding fireworks, the truth ignites: how far Frankie will go not to be left behind. At dawn, the illusion collapses, leaving Frankie to confront an impossible future: a world without Taylor.
When Nina and her best friend Lily find themselves drawn to the alluring glow of an eyeliner pen, they believe that they've finally found their key to womanhood, and so… they steal it! Upon arriving at school however, Nina realises that the two of them aren't getting the same reaction to their new look, as this is the day that Nina has decided to come out as a trans girl.
With Lily being drawn to hang out with the cool girls, Nina struggles to keep hold of her friendship as the pressures of girlhood begin to mount. When faced with the reality of how she is perceived, Nina must learn what it will take to truly be herself.
Official Selection Annecy Festival 2026 - Graduation Films
In a desperate attempt to escape his troubled home life, a young teenage boy runs away to seek out his estranged father, a once-famed professional wrestler.
Five friends. Five lives. Countless hopes.
Patrick, Shiv, Rian, Oli and Conor grew up together. They played together, skipped school together, and dreamt of everything they’d do with their lives. Now they’re thirty and those dreams haven’t materialised quite how they imagined. Patrick and Shiv are as in love as ever, but their relationship is rocked when an old secret opens up new wounds. Charismatic Oli, always the life and soul, is partying too hard and is fading by the day. Conor has a baby on the way and a business plan that could change everything. Only Rian has escaped the estate, made a lot of money and moved to another city, but even that hasn’t helped him move on from the past.
Official Selection Quinzaine des Cinéastes/ Directors' Fortnight Cannes 2026 - World premiere
After the death of their ill-tempered and controlling father, middle-aged sisters Constantia (Con) and Josephine (Jug), find themselves at a loss.
The story takes place in 1920 and is set within a European townhouse where Constantia and Josephine have always lived with their domineering father. The two sisters' mother died when they were young, and they have spent their lives enslaved to the rhythm and routine of Father’s house. Even in death they fear their father and imagine him springing out of the wardrobe or shouting at them from his grave.
Over time, their father’s control diminishes and they find comfort in taking part in peaceful activities in each other’s company. An unexpected visitor also helps them to find the courage to begin their lives anew.
A merry, rude, and lyrical, animated adaptation of the modernist short story written by Katherine Mansfield in 1920. In this adaptation the sisters will begin to assert themselves in joyful, unexpected ways that could only be depicted in animation.
Official Selection Quinzaine des Cinéastes / Directors' Fortnight Cannes 2026 - World premiere
Kevin and Cassandra are a married couple who have lost their only daughter Hannah in a freak car accident. They both raised her differently. Kevin had been a traditional parent, Cassandra a permissive one. While Hannah had decided to exhibit her body and mind online, she cut adrift from her father and gravitates towards her mother. Her death drove a wedge between them.
Their lounge becomes a battlefield where incendiary words and spiteful things are said. Their marriage is one where opposites no longer attract. Kevin is filled with loathing for his in-laws, his daughter’s boyfriend, himself. Cassandra wears her daughter’s favorite colours with pride and exhibits her painting on the walls. Kevin finds he is powerless in his home and Cassandra mocks the fact that it was her father who bought it. And when he finally leaves it, he leaves Cassandra forever.
With the demolition of a once-thriving steel factory set to begin, environmental scientist Morana is onsite to oversee the process. However, as the dismantling date looms closer, so too does the final day of her visa.
Left on hold with the immigration office one night, she discovers that the defunct plant mysteriously comes back to life.
As her own job insecurity looms and the town edges towards oblivion, Morana must face the fragility of her own existence - and how much she has truly in common with the laid-off workers.
All Edie has ever known is her Granny’s world. A crumbling mansion, where Edie does whatever Granny does. And what Granny does is pickle.
Together they preserve everything - cucumbers, of course, and green pickle juice, yes, and Edie’s childhood toys as well; plus all the family heirlooms of a vast and forgotten empire.
Everything must be pickled. It’s no easy task to capture all these memories forever. Sometimes, Edie gets a little distracted. In fact, sometimes Edie doesn’t want to pickle at all. No, what she really wants is to dance.
Luckily, Granny keeps her on track. Best friends, working side by side. But there’s something Edie doesn’t know: it’s all just training, for the most important pickling yet. Granny has taught Edie everything she knows, and now it’s time for Granny Pickleworth to join her ancestors.
It's also time for Edie to decide what life she wants to live.
A filmmaker unpacks her evolving relationship with her adolescent German Shepherd, confronting the painful question of why, despite raising him, he seems to love her partner more. Blending observational and verité footage with personal narration, this tender story of unrequited love unfolds into an intimate inquiry into the complexities of caregiving and cross-species bonds. Contending with the influence of intergenerational parenting styles on the human–dog relationship and the ways dog’s express agency, the film ultimately asks whether it is possible to love truly without conditions.
