Projects in genres: Biography

Synopsis

The making of an investigation and creation of intelligence and how far free speech allows this intelligence to be presented and conveyed. There are two biographical stories intertwined, one of James Hogan and the other of the author. James Hogan created intelligence and advised accordingly and the other; the author, desperately sought advised all his life but never got any until he only worked with James Hogan. Before James and after James Hogan, instead of receiving advice the author had to constantly fight for the right to exist. In 2010, the author has been asked to make a presentation of himself in "Virtual Alien", the story is set in a highly competitive and rotten world that is show business "A not-so fictional story about the tribulations of a virtual artist who is trying to survive in show-business and slowly discovers all the machinery that keeps him alive".

Synopsis

Two outlaws discover that they have been played and the only way to survive it is to rise above it all and dance. Two outcasts from society discover that they have been played by an unscrupulous world and the only way to survive it, is to rise above it all and dance the evil away even kill "it". One of the outcasts is threatening the other with a gun. They are having a violent interaction amongst the dancers. The dancers are the angels. They come to the rescue of the threatened outcast, by performing the “devil dance" conjuring the evil spirits. They surround the evil and the threatened outcast managed to remove the gun from his enemy and kill him. He has killed and he is evil too. The murdered outcast is lying on the floor and the dancers in turn bow down, in a sign of respect. The dancers toast to the dead wishing it a resurrection to a new being, pure and good. The ballet itself is a taken-on Britain's society in the 21st century and the desperation endured by some members of society too often ignored.

Synopsis

An in-depth study of David Lean, the man and his films. David Lean was one of the greatest filmmakers. He redefined what films could be, but his singular vision and tenacious determination to film the impossible earned him a reputation as an obsessive maverick. He was a master of his craft, capable of creating love and beauty on screen, but whose personal life was often troubled, uprooted, and painful. Featuring interviews with contemporary filmmakers including Wes Anderson, Paul Greengrass, Alfonso Cuarón, Celine Song, Brady Corbet, Francis Ford Coppola, Denis Villeneuve, Nia DaCosta, and Joe Wright. Official Selection Cannes Film Festival 2026 - Cannes Classics - World premiere

Synopsis

The most gifted footballer of his generation was finished. Retired in disgrace at 25, he appeared destined for permanent exile from the sport he loved. Incapable of blind obedience, Eric Cantona was a libertine who bridled against conformity whenever he felt its grip tighten. The French branded him unmanageable. But the fire that burned in Eric became the spark to ignite a dynasty at Manchester United. At turns thoughtful and explosive, CANTONA reveals how legendary manager Alex Ferguson channelled the brilliance of this most captivating and unpredictable of athletes. A tale of friendship and fatherhood, Cantona and Ferguson's testimonies reveal how a man misread as hostile and unknowable was finally understood, loved, and forgiven, by the strictest disciplinarian in football. Official Selection Cannes Film Festival 2026 - Special Screenings - World premiere Official Selection Sheffiled DocFest 2026

Synopsis

We are introduced to Ashkan, an unconventional dentist and battle-scarred visionary leading South Cliff Dental through rapid growth as he prepares to unveil a new headquarters. Ashkan navigates through a dark and turbulent period marked by personal collapse, body dysmorphia, steroid abuse, and a professional investigation that threatens to end his career. As his life spirals toward despair, a timely phone call rekindles his passion for the arts and offers a glimmer of redemption, even as the lasting effects of his choices nearly cost him his life. We follow Ashkan's transformation as he embraces a clean lifestyle and champions a bold, disruptive vision for the future of dentistry.

Synopsis

The alien cosmos of microscopy becomes the setting for a posthumous dialogue: an exploration of the unspoken fallout of the pandemic years.

Synopsis

An experimental documentary that unfolds as a ceremony of queer belonging, inheritance, and sound. At its heart is a dialogue with Afro-Cuban priestess and musician Amelia Pedroso, whose legacy is invoked through archival traces, letters, and performance. Narrated as a letter to an ancestor, the film situates the search for connection within an interior, oceanic dreamscape where water, memory, and ritual become both setting and subject. Cinematically, MODUPE moves between a stylised ensemble rehearsal and a sacred library-archive. The ensemble of voice, drum, and dance provides the film’s pulse, collapsing rehearsal and ritual into one. Deep blue light, reflective surfaces, and submerged imagery create a sensorial architecture that is both intimate and expansive, with water presence throughout evoking both flood and transformation. Formally, the film resists linear storytelling, privileging atmosphere, rhythm, and sonic immersion. Objects, archives, and sacred materials hold the same cinematic weight as bodies in performance, reframing the archive as altar and sound as shrine. Narrative unfolds through resonance rather than resolution, drawing the viewer into a space of listening and reflection. MODUPE proposes cinema as a vessel for inheritance, where identity is fluid, memory is alive and liberation is lived through sound.

Synopsis

Where did the first-ever TV broadcast take place? Beginning with a forgotten plaque in Folkestone, filmmaker Ben Barton follows a trail left by television pioneer John Logie Baird – and re-examines where television first sparked to life.

Synopsis

After the world premiere of his film Being John Smith at the Toronto International Film Festival, an unexpected encounter in a hotel elevator leads the filmmaker to question the nature of reality. Official Selection Karlovy Vary International Film Festival 2026 - World premiere Official Selection Dokufest 2026 Official Selection Toronto International Film Festival 2026

Synopsis

ANAK WHERE DID WE STAY? is a five-channel film by Sadia Pineda Hameed that brings together The Box’s home movie collection and the artist’s personal/family collection. Rasheed Araeen’s chakras, spouting waves, Beatlesmania, a basking shark, hula dance, an Enoch Powell protest, tidal islands and seafoam floating into the air—the archives converge across time to tell the story of the artist’s mother’s migration from one archipelago to another: the Philippines to the British Isles. The film becomes a gathering site for personal and collective experiences of journeys, resilience and belonging. Road trips unexpectedly reenact the archive, footage finds itself out of context, voices commentate the film as if rewatching a home movie together; mimesis, associations and autonomy are central to the retelling. As camcorders became more accessible from the 1970s onwards, home movies were an unconscious means to rebuild personal archives after colonial displacement, extraction and erasure. ANAK WHERE DID WE STAY?, named after the home movie from The Box’s archive 'Perranporth Where Did We Stay?', unfolds as a conversation between the artist and her mother, exploring the three interconnected journeys of migration, holidays and remembering. Produced as part of The Box’s Reimagining the Film Archive programme (BFI Screen Heritage Fund).

Synopsis

In 1989, Wong, a first-generation immigrant, and his mixed-race son, Andy, face a challenging evening at their Chinese takeaway. Dealing with impatient customers and mixed-up orders adds to their frustration. Tensions rise when Wong’s eldest son, Kenny, arrives late for work. Their strained father-son relationship unfolds in front of customers. When a group of drunk, racist customers enter the takeaway tensions escalate further.

Synopsis

Under the skin of Douglas Gordon, probing what it means to be an artist. Capturing the chaotic energy of a working studio and blurring the lines between art, performance, and reality. The filmmaker's presence challenges the authenticity of the process, exposing the tensions, collaboration, and unpredictability of documenting a boundary-pushing artist. Official Selection Berlin International Film Festival 2026 - Panorama Dokumente - World premiere